It was exactly five years ago that I started writing the first documents that would form the basis of PIONEER ONE, the “TV on the web” series that I created and produced with my partner Bracey Smith. (Along with so many, many others who provided invaluable support and resources along the way that I hesitate to name just one because this post will become a list of acknowledgments too long to bear. You guys know who you are.)
Five years. Ancient history in internet time. When we crowdfunded the budget for the pilot on Kickstarter, every plea for a donation had to be followed by an explanation of what Kickstarter was. Today, everyone’s brother and cousin is crowdfunding something on Kickstarter. Lots of things have changed.
Bracey met his wife while making the show, and just welcomed his second daughter into the world last month.
I moved my life from Astoria, New York to Los Angeles, California to pursue a career writing for television. Or film. Or anything with a screen, really. (Fuck it, I’d be happy writing for the Tuscaloosa Community Players if I’m being honest.)
I’ve wanted to write for television since I was 19 years old, but I never had the stones to make the move to LA. Pioneer One got me out here. We were courted by producers of varying stripes trying to reboot the show for television. We’ve had many false starts, and came extremely close a couple of times, only to have things fall apart at the eleventh hour. But then, that’s Hollywood for ya. The odds of the show continuing in any form, either on the web or on television, become increasingly slim with each passing day. But that’s okay. It’s what finally got me to make the leap that I needed to make for my career and for my life.
I do think we were really on to something. The six episodes of that first season still hold up (even the pilot, though it does make me cringe in places). You can see us learning how to make the show with each successive installment, and the finale episode, I think, is as solid an episode of dramatic television as any.
At the 2010 New York Television Festival, where we won for Best Drama Pilot, the show was praised for its originality. But, again, a lot has changed since 2010. Maybe there was something in the ether, who knows. But there have been a lot of shows and movies and books since then that have elements in common with Pioneer One. I’m thinking of shows like THE AMERICANS, an early 80s Cold War thriller, which has certain themes and plot points that would have come up in our second season. The novel THE MARTIAN, about an astronaut stranded on Mars, set to become a movie directed by Ridley Scott and starring Matt Damon. Syfy’s ASCENSION, which deals with a secret space mission launched in the 1960s during the height of the Cold War (I mean, come on). A recently announced pilot about a new space race between two private corporations and their billionaire founders written by Eli Attie (THE WEST WING) and produced by Peter Berg (FRIDAY NIGHT LIGHTS). And they just announced that J. Michael Straczynski (BABYLON 5) will be adapting the RED MARS trilogy by Kim Stanley Robinson for SpikeTV. (I find it hilarious that in this new phase of jms’s career, there’s nary a mention of B5 in any industry publication regarding him. He’s an A-lister now!)
Does that make more Pioneer One moot? I don’t think so. There’s room for our show in today’s (albeit more crowded) landscape, perhaps with a little emphasis tweaking. But whether or not that happens isn’t up to me at the moment.
And my own immediate goal is to write some new shows.
Here’s the trailer for Pioneer One:
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